MOMENT TO MOMENT in 1966 is a glossy romantic thriller by old hand Mervyn Le Roy (his last film in fact) set in the South of France and is a fabulous treat to see now at this remove. It was part of a double-bill on release initially.
The first half is lushly romantic as Jean Seberg drives around Nice in her snazzy red sports car, sporting a Yves St Laurent wardrobe that would still be the height of chic today - she is a bored wife whose (dull) husband Arthur Hill is away on business, and she gets romantically involved [as one does] with a sailor on the loose - Sean Garrison, a bit wooden but does what is required of him, ie - he fills out his uniform nicely. Jean resists at first but ... add in Honor Blackman [just after her stint as Pussy Galore with James Bond] as the maneater next door and the stage is set for some fireworks.
Then it turns into a Chabrol-like thriller with a missing body, police on the prowl, the return of the husband and the missing body (very much alive). It is though all nicely worked out, a lot of it studio bound, but nice locations too. Jean is perfect here and its a perfect mid'60s treat. Great Henry Mancini score too .... it deserves to be much better known and would be a much better chick flick now than some of the current examples. There is a lovely moment at the well-known Colombe D'Or restaurant (still going strong at St-Paul-de-Vence - I read a recommendtion on it last week) with the doves flying into the sun .... perfectly romantic then with a few Hitchcockian twists and Seberg is in her lovely prime here. What's not to like? My IMDB pal Timshelboy loves it as well.
The first half is lushly romantic as Jean Seberg drives around Nice in her snazzy red sports car, sporting a Yves St Laurent wardrobe that would still be the height of chic today - she is a bored wife whose (dull) husband Arthur Hill is away on business, and she gets romantically involved [as one does] with a sailor on the loose - Sean Garrison, a bit wooden but does what is required of him, ie - he fills out his uniform nicely. Jean resists at first but ... add in Honor Blackman [just after her stint as Pussy Galore with James Bond] as the maneater next door and the stage is set for some fireworks.
Then it turns into a Chabrol-like thriller with a missing body, police on the prowl, the return of the husband and the missing body (very much alive). It is though all nicely worked out, a lot of it studio bound, but nice locations too. Jean is perfect here and its a perfect mid'60s treat. Great Henry Mancini score too .... it deserves to be much better known and would be a much better chick flick now than some of the current examples. There is a lovely moment at the well-known Colombe D'Or restaurant (still going strong at St-Paul-de-Vence - I read a recommendtion on it last week) with the doves flying into the sun .... perfectly romantic then with a few Hitchcockian twists and Seberg is in her lovely prime here. What's not to like? My IMDB pal Timshelboy loves it as well.
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