Jerzy Skolimowski's fascinating movies

Above: Gina Lollobrigida and (presumably) John Moulder-Brown in KING QUEEN KNAVE (from a novel by Nabokov), 1972.
Polish director Jerzy Skolimowski, now in his '70s and still-making movies also writes, paints, presides over Film Festivals and is certainly highly-regarded and attracts quality casts - but somehow his films are practically impossible to see! There was, finally, a recent dvd issue of his 1970 oddity DEEP END, but KING QUEEN KNAVE in '72 seems impossible to see now and I think it barely surfaced in London, despite its stars David Niven, Gina Lollobrigida (looking sensational) and John Moulder-Brown again, who was the lead in DEEP END, set in that East London swimming pool where tease Jane Asher works, he is the new attendant who becomes fascinated by her, and Diana Dors in her blowsy era is also on hand looking for satisfaction!



Jerzy began in the Polish cinema of the early '60s, scripting Polanski's highly-regarded debut KNIFE IN THE WATER - one of his early films as director is the 1967 THE DEPARTURE with Jean-Pierre Leaud which was popular at the time. THE ADVENTURES OF GERARD though in 1970 was tossed away as a dubbed supporting-feature, which I did see at the time, with Peter McEnery as the hussar of Conan Doyle's stories, with Claudia Cardinale, Eli Wallach and Jack Hawkins. THE SHOUT in 1976 was regarded as an oddity and little-seen too, despite the presence of Alan Bates, Susannah York and John Hurt - as I said, top quality casts! MOONLIGHTING with Jeremy Irons about Polish workers stranded in then early-80s London was premiered on the BBC here, and the 1984 SUCCESS IS THE BEST REVENGE with Michael York and Anouk Aimee (reunited from JUSTINE!) was only ever shown once here on the BBC2 channel!



Skolimowski now though has a new film, which has been getting some attention, so hopefully we may get to see it in London before too long - ESSENTIAL KILLING, about a Taliban member who lives in Afghanistan is taken captive by the Americans after killing three American soldiers. He is transferred to Europe for interrogation but manages to escape from his captors and becomes an escaped convict on a continent he does not know. Topical stuff! with Vincent Gallo and Emanuelle Seigner.

John Moulder-Brown is one of those fascinating actors one knows nothing about - even his IMDB page is blank - but he keeps working, now in his 50s. When he was young and pretty, apart from the two Skolimowski titles above, Visconti cast him as Prince Otto in the monumental LUDWIG, 1972, and Maximilian Schell cast him as the lead in his 1970 version of Turgenev's FIRST LOVE which was a nice period piece I caught at a film festival screening, with Dominique Sanda and writer John Osbourne!

DEEP END is now being re-released in selected cinemas (here in the UK) from May 6 and a new dual-format dvd is out in July from the BFI. Interesting comments on it in this weekend's papers by Jane Asher and John Moulder-Brown (now 57). It will be good to see a good print of it again - Now for those other titles like KING QUEEN KNAVE and GERARD!

Fantasy double bill: The Moonspinners / Moonfleet

Here's an antidote to grey wintry snowy skies: THE MOON SPINNERS, a 1964 Walt Disney confection set in sunny Crete - its still a delicious entertainment. One of Walt's Hayley Mills films it boasts an incredible cast of various acting styles from silent star Pola Negri to method man Eli Wallach, plus cute young leads Hayley and Peter McEnery, intense Greek actress Irene Papas (who is wasted here in a nothing role), marvellous British stage and movie actress Joan Greenwood (whom I have rhapsodised about several times here, see label) and English farcuers John Le Mesurier and Sheila Hancock - now one of England's great dames.

Directed by Disney regular James Neilson from a Mary Stewart adventure story, it has Hayley as the sweet young thing travelling in Greece with her Aunt (la Greenwood) who is collecting local folksongs for the BBC!, and becoming involved with strange young chap McEnery who it turns out is spying on local crook Wallach as he (Peter, that is) lost his job at the bank due to some missing jewels which it turns out Eli is going to sell to the reclusive wealthy Madam Habib (Pola - who makes a splendid late entrance with her pet leopard) - dependable Andre Morell (Mr Greenwood) captains her yacht where everyone converges for the climax. Add in escapes from locked windmills and lots of local colour, plus of course Hayley's first proper kiss! So it is all sweetly amusing.



A grimmer view of Crete was also on view that year, in Cacoyannis's ZORBA THE GREEK, which at least had an iconic role for Papas. McEnery (who was the boy in VICTIM) went on to an interesting career, he did another Disney THE FIGHTING PRINCE OF DONEGAL, and Vadim snapped him up for LA CUREE (THE GAME IS OVER) with sex kitten Fonda, he was with Glenda Jackson in NEGATIVES, and well as ENTERTAINING MR SLOANE (as the enterprising Mr Sloane) and THE ADVENTURES OF GERARD etc. He was the first Hamlet I saw on stage in 1967, and also in an 80s revivial of A LITTLE NIGHT MUSIC. I always liked Hayley back then, but she grew up to be perfectly ordinary as an adult - it was nice seeing her recently as the mother in law in an African medical tv series WILD AT HEART.

This is really a Joan Greenwood double bill - she is also fascinating in Fritz Lang's 1955 adventure MOONFLEET - which is totally different from the children's classic novel by J Meade Faulkner. It is also filmed in California but captures perfectly late 18th century England among the smugglers of the Dorset coast. Jon Whiteley is the little boy sent to stay with Jeremy Fox (Stewart Granger, at his most dashing) who of course is the leader of the smugglers. Add in churchyards, deserted tombs, a missing diamond, and intrigue with villains George Sanders and Joan Greenwood and one has a perfect period entertainment. Viveca Lindfors is also present. This is one I enjoyed as a child and still do now, its one of the high points (like ADVENTURES OF QUENTIN DURWARD) of the MGM '50s costume drama.