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Jumat, 27 Januari 2012

Nicol Williamson, R.I.P.

RIP indeed to one of the great acting talents of the British theatre and cinema. Nicol Williamson burst on the scene in the '60s - like the young David Warner he was a mesmerising Hamlet, he and Warner (whom I have been meaning to write about too, along with Alan Bates and Peter Finch) are together in the '68 drama THE BOFORS GUN, long unseen.
By all accounts a difficult man, as the respectful obituaries put it: "his prickly temperament helped derail what might have been one of the great theatrical careers" as he was "touched by genius" and "the greatest actor since Brando". Heady praise to live up to ...

He died aged 73 in December but his family have only released the information now. His 1968 HAMLET was filmed by Tony Richardson, with Marianne Faithfull as his Ophelia, and Richardson also directed him in his film of Nabokov's LAUGHTER IN THE DARK, where Williamson replaced another ailing hellraiser Richard Burton. This film is too little seen now, but I remember a tv showing if it ... His initial stage success was in John Osborne's INADMISSABLE EVIDENCE where his ranting solicitor (a rather more raging BUTLEY as played by Alan Bates) was a tour de force, he also played the role in the film. Other films included THE SEVEN PER CENT SOLUTION as Sherlock Holmes (above with Vanessa Redgrave), and as Little John with Connery and Audrey Hepburn in Richard Lester's smashing ROBIN AND MARIAN in 1976 - which also co-starred Robert Shaw - another of those actors like Stanley Baker, Laurence Harvey and Stephen Boyd who died too young. Williamson too had alcoholic problems, like Robert Stephens who also never became quite the star people thought he would and made too many dud movies, as did the hellraiser in chief Richard Burton. Peter O'Toole seems to have survived all that ... It seems now that a lot of the hellraisers of the 60s like Oliver Reed, Richard Harris, David Hemmings, Anthony Hopkins became, if they survived, old hams in dud movies. Nicol Williamson didn't quite go that route having got bored with acting eventually and turning to music. What a fascinating man. He is fun too in my favourite snake-on-the-loose-with-people-trapped-in-a-house-under-seige movie VENOM with his ex-lover Sarah Miles (review at Sarah Miles label), and then of course there was his Merlin in John Boorman's EXCALIBUR!

The actor, who was known as a straighforward, private man, leaves his son, Luke. "He was the most honest, funny and intelligent man I have ever had the pleasure of knowing," writes Luke on Williamson's official website. "He was my father and words cannot adequately express how proud I am of him."

Minggu, 22 Januari 2012

Thoughts ...

David Hockney's "Arrival of Spring" from the new Royal Academy exhibition.

The award season is now underway - here in the UK the Golden Globes do not mean much to us, and were hilariously awful on that E! Entertainment channel last week, broken up every few minutes as they were with commercials for the Kardashian show, even breaking into Christopher Plummer's speech. I just had enough and zoomed through the rest of it. Elton's face was priceless when Madonna graciously (or did she?) accept her gong for best song ... for one of the movies (THE IRON LADY and THE ARTIST being the others) that Harvey Weinstein is behind this year.

Well the reviews are now in here for W.E. and make amusing reading - (I quite like Madonna's music though - that mid period "Ray of Light" and "Music" with those interesting videos and re-mixes) - but looking at clips from Clint's J. EDGAR my only question is: WHY? Why on earth bother making a dull movie about this dull man and his era, no movie could tell the real story, and they spend so much time under rubber trying to look old (hopefully not as hilariously as Bette Midler and James Caan in FOR THE BOYS!). It is of course my loss but Eastwood's films just do not interest me, I give his movies a miss, amazing he is still making them in his 80s. He bags Judi Dench here as Hoover's mother - a rather thankless role like her Dame Sybil in MY WEEKEND WITH MARILYN. It all seems reminescent of Scorsese's THE AVIATOR where Leonardo had a go at capturing Howard Hughes. Will it really be Sinatra next ? - but surely Frank and his life and work is too well known to impersonate - and again how could it be the real story? But in an era of impersonations winning awards - it seems Meryl as Mrs T has a lock on the best actress this year, despite Michelle Williams as Marilyn - and then there is THE HELP. So the Oscar nominations should be interesting, and the BAFTA nominations are also in, with all the usual suspects. [I don't think it will be Meryl after all now, the film isn't good enough and her Mrs T is like a "Spitting Image" cartoon; liberals will hate it for glorifying Thatcher, while her devotees will hate it for presenting her as an old lady with dementia...]
More than the Oscar-bait movie J EDGAR though it is Ralph Fiennes' CORIOLANUS that seems the real film, a very cinematic version of one of Shakesepare's lesser known plays, interestingly set in a modern Balkans background with Fiennes, Gerard Butler and by all accounts a stunning performance by Vanessa Redgrave (Vanessa label) as his mother - but it seems to have been ignored by the nominators .. what gives? In the meantime new dvds of THE SKIN I LIVE IN, THE GUARD and THE TREE OF LIFE have arrived, with DRIVE and TINKER TAILOR... arriving this week - more on those soon then.


Watching Jeremy Irons being interviewed this morning and discussing MARGIN CALL it is now one I am very keen to see when it opens here - another terrific cast including Irons, Spacey and Zachery Quinto (also one of the producers) on the current financial meltdown;



While the new David Hockey exhibition has got glowing reviews, though as Philip Hensher says it ignores that great body of work of the last 40 years to focus on his English paintings since he moved back here 7 years ago - but it is time to celebrate these new paintings and iPad works. Another popular art show for London then. There are over 150 pictures - "the Yorkshire artist combines formidable draughtsmanship with an invigorating colour palette to capture and transmit a pleasure in sylvan landscapes rarely seen since the impressionist era", as "The Sunday Times" puts it. Like the sell-out Leonardo exhibition day tickets are released each morning. Hockney now is firmly a national treasure after his decades in California, France and other countries as he explored his various forays into painting and photography. California was where the sun was warmer and the boys sexier. "England doesn't have many vivid blue swimming pools for white-rumped Adonises to jump into ... and the colour schemes Hockney favours, England simply isn't Hockney-coloured", but now Hockney "painting Bridlington in the rain" makes those essentially British landscapes his own; as a display of energy by an artist who is almost 75 this is some statement". And also this:
"The energy, radiance and manifest love with which Hockney depicts the landscape of his native Yorkshire are magical, and his huge oil paintings and smaller watercolours beautifully capture both joy in nature and the changing seasons, and a poignant sense of life's transience. I emerged from the Royal Academy convinced I had seen the work of a modern master enjoying a spectacular blaze of autumnal creativity, and spent the rest of the day feeling both ridiculously happy and unaccountably blessed. That is the consolation of great art".

Music-wise Lana Del Ray is currently wowing us, I love that track "Video Games"; the late Amy Winehouse's "A Song For You" is a stunning version of that Leon Russell song I loved and which Donny Hathaway made his own - until now. I like Maroon 5 and their jumpy infectious music, like Franz Ferdinand or The Killers, and "Moves Like Jagger" has been the song of the season, great video too!

Sabtu, 15 Oktober 2011

Vanessa


How good to see Vanessa Redgrave continuing to work into her '70s both in cinema and currently on the stage. Two fascinating new projects awaiting release are her Elizabeth I in ANONYMOUS about Shakespeare and his works, and CORIOLANUS by Ralph Fiennes, and that she continues to be as admired as Dames Maggie and Judi et al.

She has been a fixed presence in my moviegoing since the mid-60s: MORGAN, BLOW-UP, THE SAILOR FROM GIBRALTAR, ISADORA, CAMELOT, THE DEVILS, THE CHARGE OF THE LIGHT BRIGADE, JULIA, THE TROJAN WOMEN and through to cameos in HOWARD'S END, THE WHITE COUNTESS, ATONEMENT etc, not to mention her delirious A QUIET PLACE IN THE COUNTRY in '69 with Franco Nero (now her husband). I have only caught a few of her stage performances but she was astounding in a delicious '70s DESIGN FOR LIVING (photo at Vanessa Redgrave label) and A MADHOUSE IN GOA sometime in the 80s. She is very lucid too on the making of BLOW-UP in a BBC documentary showing how Antonioni showed her how he wanted her to sit and move and stand. Her autobiography is a revealing read too covering not only her theatrical heritage, the Tony Richardson years and later. Her late sister Lynn was also a particular favourite of mine, as per Lynn Redgrave label.

Update 26 October: a busy week for Vanessa, she has been on morning television twice, on different days, promoting ANONYMOUS as well as CORIOLANUS and DRIVING MISS DAISY - must be tiring doing a play at night and then up early for morning tv! Good to see Joely with her, as Vanessa is as busy as ever - ANONYMOUS looks like a must-see with mother and daughter both playing Elizabeth I. Franco Nero also popped up in LAW & ORDER, SVU as the (Italian here) diplomat accused of rape by a hotel maid, in a topical take on that recent headline grabber!



Coming up: return visits to MORGAN and ISADORA.

Senin, 06 Juni 2011

Great Nights in the Theatre, continued

Staying with theatre a bit longer, I have been rummaging among my programmes which go back to the mid-60s. There really though doesn't seem much point in discussing past shows, as they only matter to those who saw them. One can always find a rare movie, but once a show is over ... here are a few favourites from a lifetime of theatre-going...

MUSICALS

I was 20 when FUNNY GIRL arrived in London in 1966 as the hot new show, with that amazing new star Barbra Streisand (with Michael Craig as her Nicky Arnstein) - a friend, Frank, and I got tickets and got to see it from the front row! Streisand wore a little mike which was the first time we saw one of those. The show was changed a lot for the movie - as usual (ditto with CABARET) some songs removed and replaced by others. On the stage her final number "The Music that Makes Me Dance" was a perfect solo, but it was "My Man" in the film! Craig had a nice number too: "I Want To Be Seen With You".



Best ever night in the theatre? A CHORUS LINE at Drury Lane on my 30th birthday, in 1976.



Right: Vanessa Redgrave, Jeremy Brett & John Stride in the sublime 1973 DESIGN FOR LIVING.
3 A LITTLE NIGHT MUSICS: the 1975 one with Jean Simmons and Hermione Gingold / a late 80s revivial with Peter McEnery, Dorothy Tutin, Susan Hampshire and Lila Kedrova / and that great National Theatre one, maybe 15 years ago now, with Judi Dench and Sian Phillips - I was at a preview [thanks, Tony] with Sondheim a seat but one away, furiously taking notes.
Then there was that FOLLIES with Eartha Kitt and Diana Rigg, and CHICAGO when Chita Rivera was in it
- and recent revivals [with Donal] of THE SOUND OF MUSIC, CABARET, LE CAGE AUX FOLLES and of course the pure theatre of THE LION KING and LES MIZ, plus those giddy pleasures HAIRSPRAY and LEGALLY BLONDE, and two great productions of SIDE BY SIDE BY SONDHEIM and being taken backstage [thanks, Pamela] to meet Julia McKenzie and Millient Martin, and there was Bacall in the awful APPLAUSE in '73 [with Franco] (Bacall label) , and THE PHANTOM OF THE OPERA [with Catriona, I had to get the CD next day].

STARS ON STAGE - among those I liked: (click images twice to enlarge)

Deborah Kerr, THE DAY AFER THE FAIR, 1972
Jean Simmons, A LITTLE NIGHT MUSIC, 1975
Julie Christie, OLD TIMES, 1997 - being able to gaze at her for 90 minutes; Liv Ullmann too in a 70s production of OLD TIMES.
Faye Dunaway, CIRCE AND BRAVO, 1986 - directed by Harold Pinter
Claire Bloom, A STREETCAR NAMED DESIRE, 1974 (Claire Bloom label)
Julie Harris, THE BELLE OF AMHERST, 1977 (see Julie Haris label) [with Les]
Lee Remick, BUS STOP, 1975 (photos and more at Lee Remick label)
Angela Lansbury & Peggy Ashcroft, ALL OVER, 1972 [with Stan]
Cyd Charisse, CHARLY GIRL, 1985 [with Rory]
Vanessa Redgrave, DESIGN FOR LIVING, 1973 & A MADHOUSE IN GOA, 1998
Maggie Smith: PRIVATE LIVES, HEDDA GABLER, NIGHT AND DAY, LETTICE AND LOVAGE, THE BEAU'S STRATEGM
Judi Dench, LONDON ASSURANCE, 1973, A LITTLE NIGHT MUSIC, 1997
Sian Phillips, MARLENE, 1997, PAL JOEY, RIDE A COCK HORSE
Marlene herself in concert in 1973 - a masterclass in audience manipulation!
Ralph Richardson & John Gielgud, HOME, 1970 which I saw twice !
Ingrid Bergman just perfect with Michael Redgrave, Emlyn Williams, Jeremy Brett, A MONTH IN THE COUNTRY, 1965, CAPTAIN BRASSBOUND's CONVERSION (with Kenneth Williams) in '71
Peter O'Toole, Sian Phillips, RIDE A COCK HORSE - my first London show in 1965 [with Mike and Gina]
Robert Stephens amazing as the Inca king in ROYAL HUNT OF THE SUN, at the Old Vic, 1966
Glenda Jackson, Marianne Faithfull, THE THREE SISTERS, in the front row of the Royal Court, 1968
Glenda Jackson, Susannah York, Vivien Merchant, THE MAIDS [with Les].
Alan Bates, BUTLEY, '73, HAMLET, 1970 (with Celia Johnson as Gertrude) [other Hamlets I saw include Michael York, Peter McEnery, Jonathan Pryce, Stephen Dillane, David Tennant - as per Theatre Hamlets label)
Jill Bennett, SEPARATE TABLES, PRIVATE LIVES and another splendid HEDDA at the Royal Court (where she was also Gertrude to Jonathan Pryce's acclaimed HAMLET)
Sarah Miles & Eileen Atkins: VIVAT REGINA
Joan Greenwood and Gladys Cooper: a revival of THE CHALK GARDEN, 1971 [more at Greenwood, Cooper labels]
Edith Evans in her one woman show, 1974.
I saw Ingmar Bergman's HEDDA with Maggie Smith twice, it was so spellbinding, blood red sets and the cast in black, in 1970 - a look he followed in CRIES & WHISPERS in 72. Ditto HOME with Richardson and Gielgud, and they signed the programme afterwards.




The 'real' Marlene, and Sian Phillips's Marlene.

GREAT CONCERTS ?
Aretha Franklin, at her peak in both 1968 and 1970 - she wouldn't fly after that! [with Stan]
Otis Redding and the Stax Soul Tour, 1966 (before that fatal flight), (with Stan).
The Doors at the Roundhouse, 1968 (and I am in the concert video footage,aged 22!) as per Doors label [with Clive and those stoned hippies]
4 Joni Mitchell concerts [Joni label for when I met her in Chelsea in 1972).
4 Pet Shop Boys concerts [their residency at the Savoy Theatre in 1997 was Very Pet Shop Boys], and that Scissor Sisters concert in Trafalgar Square in 2006 [with Donal]
Marlene Dietrich at Wimbledon,1973 [with Bryan]
Peggy Lee at the Albert Hall, 1970
Bette Midler at the London Palladium, 1979 [with Les]
Liza Minnelli at The Royal Opera House, circa 1980
Joan Armatrading, Cleo Laine, Dionne Warwick (1970 & 2005), Petula Clark - several times each, and Nancy Wilson.
Great concerts too by The Band, Blood Sweat & Tears, Van Morrison, The Who.
Divine on stage at Rory's club in Brighton, 1986, and all the hi-energy divas!

And, just to recap, those early '70s National Film Theatre Q&A sessions [as reported on previously at labels with photos] with the likes of Bogarde, Mason, Remick, Davis, De Havilland, Huston, Harrison, Lansbury, Bergman, Niven, Heston and the like, and those book signings with Loren, Bacall, Arthur Miller, Michael York and others, and that screening of A STAR IS BORN at the Starlight Cinema in Mayfair, with Gary [my 1963 "Films and Filming" penfriend] over from Australia, in 1970.






The shows I would love to have seen: Coward's HAY FEVER at the National in '63 with the classic cast of Edith Evans and the young Maggie Smith and Sarah Miles / and Coward himself in his last London outing SUITE IN THREE KEYS with Lilli Palmer and Irene Worth, in 1965 - just before my time!
and now, back to the movies ...